time for change as performed by motley crue

#Time for change as performed by motley crue professional

“Shout at the Devil” struck terror in parents’ hearts. The costumes and sound were the siren calls that launched glam metal, and for the rest of the decade dozens of bands and labels copied the Crue. Its mishmash of influences - among them Kiss, Cheap Trick, blues, punk - resulted in raw, aggressive rock with catchy riffs that singer Vince Neil topped off with pouty vocals and caterwauls.

The Crue’s look was a vehicle to getting its music heard. There’s something about them at photo shoots where I really didn’t have to tell them much to do.” Photographer Neil Zlozower, a longtime band friend whose shots of the group covered in theatrical blood are among the Crue’s most iconic pictures, says, “There was something always natural about Motley, especially in the beginning when they were raw and nasty and hungry, before they started making millions and millions of dollars. Motley Crue appeared on the punk- and New Wave-infested Sunset Strip in 1981 sporting a New York Dolls-gone-tough look of leather, raccoon eyeliner and metal-stud jewelry. I think it’s the way that we put our songs together and how we present them (that) people can actually relate to what’s going on.” Guitarist Mick Mars says that the band’s music has “always been pretty close to street level. And there’s the rub, right there.” TAKING IT TO THE STREETS “For some reason, everyone wants to bet against us, every single time. “We know what we’re doing is real,” Sixx says. 7 on the Hot Mainstream Rock Tracks chart.)įan ties nurtured Motley even before the group first appalled critics and parents with its controversial 1982 album, “Shout at the Devil.” The record is just one of many battles Motley has fought, and won, against the establishment. Motley is rock royalty with two generations of subjects: its original fans, and those fans’ children, who have been exposed to the band though their parents, channels like VH1 Classic and Fuse, and such videogames as “Guitar Hero” and “Rock Band.” (The new album’s title single sold five times as many copies as downloads via “Rock Band” in its first week of release in April as it sold via conventional channels. The gang’s impact stretches from when it ruled the ‘80s Sunset Strip and unwittingly helped pioneer the glam metal genre that spawned dozens of wannabe acts, to its subsequent influence on two decades of performers, spanning the spectrum from Marilyn Manson to Buckcherry. We’re dysfunctional human beings that ended up in a gang.” “It’s really simple,” Sixx says of the group’s life of extremes. It’s expected to be one of the summer’s best-selling rock festivals.įor 27 years and with 50 million records sold, according to the band’s management, Tenth Street Entertainment, Motley Crue has always done things its own outrageous way, battling everyone, including itself, to do it.

On July 1, the band opened Crue Fest, a 40-plus-city summer tour, sharing the bill with hitmakers Buckcherry, Papa Roach, Trapt and Sixx: AM, the side project of Motley Crue bassist Nikki Sixx. The set offers a classic Crue vibe and echoes the tumultuous history recounted in “Dirt.” On June 24, Motley Crue wrote the next chapter in its larger-than-life story with the release of “Saints of Los Angeles.” The Motley Records/Eleven Seven Music release, the first studio album in 11 years from the band’s original lineup, debuted at No.

#Time for change as performed by motley crue professional

What it stands for is bigger than the music and the band itself.”Īs one of the most notorious groups in history, the Los Angeles quartet has defied the odds when it comes to professional and personal survival, experiencing - and creating - as much turmoil as it has success.

“Motley Crue is larger than the individual members. “Motley Crue is not just a rock band,” he says. Such craziness is what made Strauss want to chronicle the legendary rock band. “Tommy Lee was literally handcuffed wearing these little leather kind of shorts that he wears and nothing else, and I just thought that was the ultimate way to meet Motley Crue.” “It was at a show in Phoenix, and the very first time I met them, (drummer) Tommy (Lee) was handcuffed backstage,” Strauss recalls with a laugh. Lead singer Vince Neil (R) and bassist Nikki Sixx of Motley Crue perform at Avalon in Hollywood, California April 15, 2008.